The Art of Topiary is a poetry collection of indescribable wonder.”

The Atlantic, "The Best Books We Read in 2017"

Pleaides, "Editors Picks for Best Books of 2017"

"David Keplinger’s translations of Jan Wagner, a German poet we should all get to know, embody a deeply thoughtful relationship between poet and poet-translator, and the result is marvelous poems that are now stunning in English." Jenny Molberg, editor of Pleiades

Rain Taxi: A review of The Art of Topiary

"[The Art of Topiary] collects thresholds." Allison Campbell in Rain Taxi

The Art of Topiary: The Selected Poetry of Jan Wagner (translated by David Keplinger)

This collection of collaborative translations between the German poet Jan Wagner and the American poet David Keplinger bring into English the best material of Wagner's 20 year career, recently honored with the Büchner Prize in his native Germany. It was published in October, 2017 by Milkweed Editions.

An interview with Jan and David conducted at the Goethe Institute, New York City, on November 18, 2017, is here


the warm double-barrel like an art-     
ery in my fist. a sudden blast           
and it’s already over, while still from forest     
to forest the beacon of the echo blazes outward.     

gathered around me, the mute round       
of uncles stand up: the beards, wrung       
with pearls of ice within them; beneath mount-    
ains covered in snow, water is streaming.       

around the foothill’s hunchback we follow the blood .   
sick to my stomach, a very late light –       
then his antlers clenching at the air     
like the champion’s hands at the prize cup.               

elegy for knievel

God take care of me, here I come...

wherever it saw him, the land began to blur.
this daredevil, this hotshot,
his shirt full of stars
and ever pursued by the hornet swarm
of engine noise. the bones broke,
the bones coalesced, and he jumped.

how many obstacles between the ramp
and that distant point?
how many discarded double deckers?
what doubts did he have, the kind that sink
to the interior, until a whole canyon gapes
with trickling sand at its edges
and the cries of huge birds?

afternoons, when history
fell still for a moment, 
fragrant as popcorn and exhaust.
like here, in yakima, washington,
this dented moon above the stadium
and the thousands whose breath is caught:
fifteen, twenty buses, and his wheel
in the air.


in the primeval soup of lakes, behind the gables  
of the palm houses: koi, as they clot,    
as they weave into the tapestry of blackness       

their golden threads, their orbits more                           
difficult to predict than comets;   
the round mouth that seems to form        

nothing but their name, touching the place  
where air divides from water; their chamber pitch   
too high or too low for our ears,   

inaudible: koi, a firmament of coins    
on the bottom of the pool, jangling beneath,    
loving dimness like only embers can;     

next to the promenade they hover, smoulder;    
something from their hulking calm,    
from their stubborn heartbeat should transfer      

upon myself, when i dip my hand into the bilge      
and wait for the cold jolt, the rugged gown    
of sequins; thereby beginning old age.